Momocon 2019

A Japan post is coming, I swear! But for now, I want to talk about the great time I had at Momocon in Atlanta. Despite the brutal heat (Saturday afternoon reached 96 degrees and I literally burned my hand touching my car door), I couldn’t pass up a weekend of beautiful fan art, engaging panels, and the best people watching spot imaginable. I actually went to Momo last year but didn’t review it, mainly because all I did was play arcade games with my boyfriend and met Troy Baker and Nolan North. It didn’t feel like a full experience, but this time, I feel like I have a better understanding of what this con is about.

Momocon is 4 days, but once again, I went Friday and Saturday. Admittedly, this con is still very focused on a younger crowd (I’d say ages 14-22) and most people attending are there to party and cosplay. I’ve never been drawn to that type of con experience, but I can tell Momo is trying to create a better environment for introverts like myself who are more interested in relaxing and meeting some creators I really love. If you’re the type of person who just wants to shop, check out a few panels, and meet a voice actor or two, I would recommend going for just 2 days.

When I arrived Friday morning, my first stop was a panel with two anime YouTubers I really enjoy, Gigguk and Sydsnap. The appeal of streamers is mostly lost on me (a bold statement from someone who is far too obsessed with Critical Role, I know), but I love how personable and honest these two are. Gigguk has been creating anime-related videos for a decade now, and the amount of work that goes into them is truly impressive. Sydsnap, well, she reviews hentai and is utterly hilarious. I ended up going to their signing a few hours later and after sharing a moment of Euphoria survivor solidarity with Sydney, they both signed my badge.

Afterwards, I did my favorite part of any con: shopping in the artist alley! This streetwear-inspired Ranma 1/2 shirt by Jellymomoshop on Etsy was too cute to pass up, and of course, I managed to snag whatever Critical Role fan merchandise I could. The Fjord and “fight me” patch are by Cara McGee and the small Caduceus print is by Inkforwords on Etsy. Unfortunately, I didn’t catch the artist’s name who did the bigger poster. I also snagged a few random stickers and enamel pins, plus an adorable Snorlax plush in the vendor hall. More and more I’m running out of room to hang and display art, so I’m getting pickier and pickier these days.

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I swear I’m the happiest person in this picture!

Later on, I ended up going to a Supergiant Games panel, which was honestly a major reason why I attended the con. Darren Korb (Music & Audio) and Logan Cunningham (Voiceover) mainly focused on Transistor, which is arguably in my top 3 video games of all time and helped me through a really weird patch in my life. The game turned 5-years-old this month, so the two of them talked about production and the process they went through to piece together the signature music and narration of the game. Transistor‘s soundtrack is gorgeous and I highly recommend listening if you ever want something like Blade Runner‘s soundtrack infused with Radiohead’s Ok Computer. I ended up meeting Darren and Logan Saturday morning, but…unfortunately I look very annoyed in my photo? Sometimes I get so overwhelmed that I kind of just lock my expression so that I don’t look like a mess, but instead I just seem pissed off here. Promise I’m not. I was internally screaming with joy.

Around Saturday afternoon I started to feel a little sick, so I promptly made my way through the comics area of the con. Momocon really stepped it up with their comics guests this year, and it was cool to see people were actually interested in them. Last year was a little rough and even though there were a few artists that I was a fan of, their tables had very little traffic. I’m not sure what changed, but I like that the artists they did feature had heavily-inspired anime styles, which would be more appealing to the demographic at Momo. I first approached color artist Matt Wilson, which was really overwhelming for me. The Wicked + The Divine was the first western comic I got into (I grew up reading manga) and the Black Widow series he worked on with Chris Samnee was the first superhero comic I really connected with. I was a little too nervous to convey this to Matt, but he was super humble and appreciative, which made me fall in love with the WicDiv team even more. Rico Renzi signed by hardcover Spider-Gwen book and even  sketched a little doodle inside, which was a cute surprise. There were a ton of cosplayers for Spider-Man: Into the Spiderverse, which was a really great surprise to see that level of western animation appreciation bleeding into an anime atmosphere.

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Finally, I met Brenden Fletcher, who writes Motor Crush and Batgirl with an artist I really love, Babs Tarr. I talked to Brenden a little bit about how long it took me to get into western comics because I grew up with an anime and manga background (and the weird difficulties that come with enjoying two totally different comic styles), and to my surprise, he said he was the same way. It’s interesting how I’ve managed to gravitate towards these type of comic book creators, unknowingly, but it’s almost like I’m conditioned at this point to find an anime influence in anything and latch onto it. Even though my interactions with the artists were short, they were the highlight of my weekend because of how grateful, kind, and insightful they were.

Overall, I had some really great moments during the weekend, even if it wasn’t jam-packed with things to do. I may not be your typical Momocon attendee preparing for the midnight rave in My Hero Acadamia cosplay, but I simply love anime and sharing a few, pleasant moments with people who feel the same way. As for the rest of the year, my convention plans include Gen Con, Anime Weekend Atlanta, and Dragoncon. I’ll tell you all about them later!

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